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Much more for the terrible misery the one that had been shot (RIBEIRO, 1995 p.221). The fight for the freedom, then, was only the first step for the attainment of the racial equality, therefore racism already guided the Brazilian society after the abolition and, in this direction, it affirms Ribeiro (1995, P. 200): ' ' the fight most arduous of the African black and its Brazilian descendants was, still is, the conquest of a place and a legitimate participant paper in the society nacional' '. For Darcy Ribeiro (1995), the current Brazilian ruling classes, made of descendants of old gentlemen of slaves, the same keep for the blacks vile disdain of long ago. The blacks continue being seen as the culprits of its proper disasters, which were and still they are explained as characteristic of the race and not as resulted of the slavery and the oppression. This deturpada vision is also assimilated by the mulatos even for the blacks that obtain to ascend socially, which if adds to the contingent white to discriminate the black mass. In this direction, it is necessity to stand out that exactly when the black revolt against its equal ones, this happens in result of the discrimination imposed for the white. In other words, the black starts to suffer for not being white, in the measure where the white man strap of the black all value, all originalidade, all humanity.

thus, so that the white recognizes the humanity of the black, this tries to become white. ' ' The inferiorizao is the native correlato of the superiorizao … has courage to say: She is the racist who creates inferiorizado' '. (FANON, 1983, P. 78). In this direction, it affirms Ana Clia Da Silva, the esteretipos, the partial representation and minimized of the reality, they lead the estereotipado one and representing, to a large extent, to the auto-rejection, the construction of low-esteem, to the rejection to resembled its, leading it the search of the represented values as universal, in the illusion to become that one another one and to become free themselves of the domination and inferiorizao.

He wrote: ' ' Culture and Opulence of Brazil for its Drogas and Minas' '. Notadamente it speaks very on the economy in the start of the Sc. XVIII, of the mines, the tobacco, the alcohol, the sugar, etc. Also he speaks on the high cost of living in virtue of the discoveries of the other. It is an description-informative literature. 2.Nuno Marques Pear tree (Bahia 1652-Lisbon 1728) Was the first one to try to create a Brazilian romance, however its workmanship is still an informative work. It wrote: Narrative compendium of the Pilgrim of America. In this book it weaves a commentary on a pilgrim in its andanas for the captainships.

It is a moralista, full workmanship of sermes. 3.' ' Dialogue of the Largenesses of the Brasil' ' (1618) Work whose author still is unknown. It is a set of six dialogues in which, the author, Brandnio, a great expert reveals of Brazil, also defending it. The workmanship is attributed the Ambrsio Fernandes Brando, Portuguese, gentleman of device. The dialogue already shows to a proper style and sufficient fluente. 4.Pe.Al exandre Gusmo – School of Belm, Adventures of Digenes: 5.Pe.Ba rtolomeu Loureno de Gusmo (Inventor of the Aerostat) – Sermes, Some ways to deplete without people the vessels that make water. 6.Matias Aires- Reflections on the vanity of the men. 7.10.POESIA BAROQUE – POETS AND WORKMANSHIPS: We notice Baroque characteristics in the poetry of Blessed Teixeira, that follows the camoniana line.

He arrives to copy entire verses of Cames. We only know of the publication of Prosopopia, however some workmanships have been attributed to it. Beyond Blessed Teixeira, other poets had imitated Cames and other poets of the Europe, but already he had the predominance of the nativista feeling of the Brazilian people. They had used to advantage the values of the land: the landscape, the people, the region.